I can't really pinpoint my emotions about it. It's like some sort of dull sadness. Like how you'd feel if you asked how someone's day was going and they said, like, their dog died last week, and you'd feel legitimately sad for that person, but you, like, don't know that person or their dog, so, within a minute or two, you just go back to what you were doing. Except in this equation I guess I know the person. And the dog. I don't know.
You know how you sometimes get your heart broken, but then you have to man up and be like, well, if I got my heart broken, then the other person probably go their heart broken, just maybe not the same way or at the same time or in the same place. Maybe. I don't know.
I guess whatever it's like, it is certainly like the largest square foot gallery closing in Chicago. Whatever my emotional ambivalence, it seems like a loss. Rhona was overheard saying, not about Flatfile, but about all the galleries that have been closing in general, that it's just the nature of the business. When we went down to talk to Ginny about the cover of Chicago Gallery News, she showed us brochures from 1990 and I didn't recognize, like, 2/3 of the galleries listed. Galleries come and go and the ones that stay, well, they are the ones that stay.
It will be interesting to see where all the artists shake out. When Fassbender closed, Flatfile and Alfedena took on a lot of the programing. Now that both those galleries are closed, along with countless others, it will be a while before a significant amount of legitimately great artists get substantial shows in Chicago. Here's to hoping some (or all) get some great shows in New York in the meantime.Michiko Itatani, Visitors, 2005, Oil on Canvas, 72x84